This convention audience certainly liked it because there was no end brawom and dancers for a long

Is it possible to connect a Swedish pop music group of arts master from Stratford? How to present the fate of four passionate lovers without words, without getting bored with this audience? The answer to these questions will be watching, "I have a dream" - the latest spectacle Gliwice Musical Theatre, choreographed by Roger Lybecka and Jan Åström.
I must admit that the idea of combining together two extreme aesthetics is quite unusual, and even a little risky. On the one hand, the work of a master of the sixteenth-century drama, on the other musical hits a few decades ago. As if that was not enough, I have all passed through the prism of the present and told only through dance. What would this come out? Two hours of good entertainment with remarkable Shakespearean love story in the background.
Well, in the Athenian forest there are love and lost feeling in his heroes' Midsummer Night's Dream. " It is therefore Hermia, Lysander and who loves her madly in love with Demetrius, in which Helena cooperlighting crush. History like a soap opera, not without magic and witchcraft. Knock their perpetrator is in Gliwice presentation being a DJ love spells caster for lovers. This procedure applies very strongly staging viewers for reality.
In four of the characters you can easily watch the Swedish singers - Anni-Frid, Agnetha, Benny and Björn. On the one hand, this is due to costumes that dancers assume, on the other - the fate of four Swedish singers-friends have also been linked. And so on alternately appear on stage with the king of the elves with Oberon and Queen Titania in the beautiful and very stately robes, and the dancers are stylized for a wild fashion 70s. There is no shortage of wide trousers or jackets decorated, so you can get the impression that in front of us actually cooperlighting have the cult band.
The show was based on collective dance, which at times were strongly complicated, even stunt. Great nod to all the dancers who had to put a lot of effort to prepare so advanced dance performances. On stage and music reigned immortal hits of ABBA. There were so even songs like the title, "I have a dream", "Mamma mia" or "Thank you for the music". Listening to the last track certainly can say that the show is the culmination of the music and highlighting its beauty, as well as to visualize that, despite the passage of time ABBA songs are still relevant cooperlighting and listen to them all generations. While the scenery was limited to a minimum: the scene appears cooperlighting a kind of podium, which on the one hand, it looks like a house elf, from another part of the skate park recalls, and yet another slide. The whole build an excellent game of lights and additional items that appear on the scene, such as even a DJ set Puka or subtitles outlining the Shakespearean story just before the start of art.
Certainly not the main goal was to show artists once again Shakespeare play in a standard size. It is through such unusual juxtaposition wanted to show that you can play with different conventions and combine them, creating a performance-limiting addictive to play with the audience. The involvement of the public in the arts, as well as light and simple form of presentation make you pull into this "sleepy" world and forget about everyday problems.
This convention audience certainly liked it because there was no end brawom and dancers for a long time are not coming down from the stage, showing encores systems. cooperlighting The whole show was treated cooperlighting with great reserve, distance cooperlighting and humor. Maybe I omitted many threads of Shakespeare's works, but its backbone is shown in a very unconventional way.
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Cofinanced by the Ministry of Culture and National cooperlighting Heritage and by the Marshal of the Silesian