Well, you need some. Probably you have any water to the wine. I would not flash, you just want to s

Tomorrow I'm going to shoot a children's musical, but I use it on my D80 many doubts about what lens: The 50/1.8 can I use without fliter best color retention, but a lot of blurry led labs pictures at 1/15 with still reasonably high ISO 400-800. My sense is that most of the photos unusable. The 18-135 kit lens I can use it just fine with the SB600, but through ceiling flash is not there, and I'm afraid I feel all the pictures flash, even with omni bounce on the 70-300 VR is almost not usable, I think most For close-ups Which of these lenses would you mainly use and what tips do you have?
"Let there be light: and there was light." (Genesis 1:3) Nikon has it responded nicely! MauritsD Club Member Posts: 1335 Joined: Thu Nov 18, 2010 1:12 am Location: Website
Well, you need some. Probably you have any water to the wine. I would not flash, you just want to show. Atmosphere of a stage light in a dark room ISO quite high. How bad is a bit of noise? Better noise than blur. Try a monopod. You can easily handle from the audience, and saves us soon stop the exposure. Or, if you have the space, an ordinary tripod. That way, you can blur the stationary elements of the picture do occur. Now a solution for the movement on stage. Little movement is not very. But you can choose the right moment. There have always been relatively static moments. Then you have to strike. Quite a lot of pictures and afterwards throw away 90%. RAW shooting and a stop underexposure. Then give you just what faster shutter speed to prevent motion blur and you can correct that stop later in photoshop. No super solution because the noise will also again. Use spot metering or center so as not to be influenced by the dark areas around the stage. Exposure led labs too It's not really like that are underexposed. If you unexpectedly need to flash, yet another experiment with the white balance. If you're on 'cloudy' led labs or put 'shadow' corrects camera light for something warmer. You do not get that pale color flash. See if you can borrow a light. Strong standard zoom lens somewhere That saves a lot. Good luck with that. Difficult conditions for an amateur. And the world is watching ... GRTN Jaap
Without flash has I think only makes sense with the 50mm/1.8, the other lenses are too slow. Monopod I have not, but a tripod that I could extend the legs but not outwards, so he acts as a monopod. Zooming should I do with mn feet and hope I do not much about the audience in the way. It is a school with no professional lighting or something, led labs so I have to wait and see how the atmosphere is on the scene. led labs If there is little atmosphere to fire away, I would possibly be able to sit at the front, reasonable with the 18-135 and SB-600 than I do the other parents not to walk. Using the zoom feature in the road The 70-300 I think I can make at home ...
"Let there be light: and there was light." (Genesis 1:3) Nikon has it responded nicely! MauritsD Club Member Posts: 1335 Joined: Thu Nov 18, 2010 1:12 am Location: Website
If you use the 18-135 you could use longer shutter speeds without having shake. (If you keep him on the wide side as much as possible) With a 50 mm you have to at least 1/60 and a steady hand for sharp pictures. Flashes I personally would not do it as soon as you flashed led labs away the atmosphere.
"Let there be light: and there was light." (Genesis 1:3) Nikon has it responded nicely! MauritsD Club Member Posts: 1335 Joined: Thu Nov 18, 2010 1:12 am Location: Website
If there is little atmosphere to fire away, I would possibly be able to sit at the front, reasonable with the 18-135 and SB-600 than I do the other parents not to walk. Using the zoom feature in the road Whether there is or is no atmosphere on the stage and if it been allowed, I would not flash. Do you have any idea how annoying it is for the children who are playing led labs and also for the public as there is someone to flash? Just do not. Take pleasure in what you can or just do not know how else shame that is. Bea Club Member Posts: 764 Joined: Thu Sep 06, 2007 2:07 pm
Just briefly experimented house: - 50mm f/1.8 - Tripod led labs and monopod - Stand A f/1.8 - Auto ISO, minus 1/30s (1/15s poss.) - RAW + Fine mode - Burst Mode on - AF assist light - White Balance led labs manually (home 2800K) Best good results. With this I'm going to start tomorrow. Another one extra tips institutions listed above in addition?
"Let there be light: and there was light." (Genesis 1:3) Nikon has it responded nicely! MauritsD Club Member Posts: 1335 Joined: Thu Nov 18, 2010 1:12 am Location: Am